Scene : Ext. Day. Green mountain top. Maria, dressed as a postulant, bare-headed, whirls  around, sings with arms streched.

외경. 낮. 산 꼭대기 풀밭. 수녀지원생 복장을 하고, 너울을 벗어 부친 마리아, 빙 돌고 팔을 뻗으며  노래 부른다.

Maria : The hills are alive... with the sound of music

With the song they have sung... for a thousand years

The hills fill my heart... with the sound of music

My heart wants to sing... every song it hears

My heart wants to beat... like the wings of the birds...

That rise from the lake to the trees

My geart wants to sigh... like a chime that flies

From a church on a breeze

To laugh like a brook... when it trips...

Over stones on its way

To sing through the night... like a lark who is learning to pray

I go to the hills... when my heart is lonely

I know I will hear... what I've heard before

My heart will be blessed...with the sound of music

And I'll sing once more...

The sound of music

산은 살아있네.. 음악소리로

몇천년 불러온 노래 소리로

산은 내 마음을 부풀게 하네... 음악소리로

내마음 노래 부르고 싶어... 듣는 노래마다

내마음은 뛰고 싶어... 호수에서 나무로 나는 새들 날개와 같이

내마음은 속삭이고 싶어... 산들바람 타고 퍼지는 교회 종소리처럼

조약돌넘어 흐르는 시냇물처럼 웃고,

기도드림을 배우는 종달새처럼 밤새워 노래 부르기 위해

나는 산으로 가네... 외로울 때면

산으로 가면, 전에 듣던 그대로

내마음은 음악소리로 가득차 축복 받으리니

나는 다시 노래 부르련다

Bernice : Reverend Mother, I simply cannot find her.

원장님, 아무래도 그녀를 찾을수가 없어요.

Mogher Abbess : Maria?

Bernice : She's missing from the Abbey again.

수도원에서 또 없어졌어요.

Berthe : Perhaps we should have put a cowbell around her neck.

아마 목에다 말방울이라도 달아 줬어야 했나봐요.

Margaretta : Have you tried the barn? You know how much she adores the animals.

곡간은 뒤져봤어요? 마리아가 얼마나 동물을 좋아하는지 알지요.

Bernice : I have looked everywhere, in all of the usual places.

보통 갈만한 곳은 온갖 곳을 다 찾아봤어요.

Mother Abbess : Sister Bernice, considering that it's Maria, I suggest you look in some

place unusual.

버나이스 수녀님, 마리아의 일인만큼, 보통 아닌 곳을 찾아 보셔야 할 거예요.

Betty : Well, Reverend Mother, I hope this new infraction ends whatever doubts may still

have our Maria's future here.

원장 수녀님, 마리아의 미래가 이렇게 의심스러운데 전 이 규칙위반이 더 이상 지속되지

않았으면 좋겠습니다.

* infraction : 규칙 위반

Mother Abbess : I always try to keep faith in my doubts, Sister Bertter.

난 의심속에서도 항상 믿음을 지키려고 해요. 베르터 수녀님.

Magaretta : After all, the wool of the black sheep is just as warm.

말썽장이 양이라도 털은 따뜻하니까요.

Mother Abbess : We are not talking about sheep, black or white, Sister Magaretta.

우린 양에 대해서 얘기하고 있는 게 아니에요. 마가레타 수녀님

Bertter : Of all the candidate for the nevotiate, I would say Maria is at least like...

제가 말씀드리고 싶은 건, 모든 수련 수녀들 중에 마리아는 적어도...

* nevociate : 견습생

Mother Abbess : Children, children. Every respect I think about qualitifications of some of

a postulants, mister subiness and misses a postulants were trying to help me by

expressing opposite point of view.

Tell me Sister Captain, what do you think of Maria?

수녀님들, 제발. 모든 수녀 후보생들의 질적인 면은 여러모로 생각해 왔습니다.

이제 수녀 생활을 시작한 자매들의 담담 수녀님과 견습생들의 담당 수녀님들이 지금 의견을 내고

있는데 각기 다른 의견으로 절 도와주시리라 생각됩니다.

캐서린 수녀님, 마리아에 대해 어떻게 생각하나요?

Catherin : She's a wonderful girl, some of the time.

그녀는 아주 훌륭해요. 가끔씩만요.

Agathsa : It's very easy to like Maria, except for it's difficulty.

금방 좋아지는 사람이지요. 허나 가끔은 이해하기 힘들죠.

Sophia : Oh I love her very dearly but she always seems to be in trouble, doesn't she?

그녀를 정말로 사랑해요. 하지만 늘 말썽만 일으킨답니다, 그렇죠?

Betty : Exactly what I say.

제가 말씀드린 그대로네요.

Song 'Maria'

She climbs a tree and scrapes her knee her dress has got a tear

She waltzes on her way to mass and whistles on the stair

And underneath her wimple she has curls in her hair

I've even heard her singing in the abbey

She's always late for chapel but her penitence is real

She's always late for everything except for every meal

I hate to have to say it but I very firmly feel, Maria's not an asset to the abbey

I'd like to say a word in her behalf, Maria makes me laugh

How do you solve a problem like Maria, how do you catch cloud and pin it down

How do you find a word that means Maria

A flimity gimmitt a will of a wiss a clown

Many a thing you know you'd like to tell her

Many a thing she ought to understand

But how do you make her stay and listen to all you say

How do you hold a moonbeam in your hand

When I'm with her I'm confused out of focus and be mused

And I never know exactly where I am

Unpredictable as weather she's as flightly as a feather

She's a darling she's a demon she's a lamb

She'll out pester any pest drive a hornet from its nest.

She can throw a whirling dervish out of whirl

She is gentle she is wild she is a riddle she's a child

She's headache she's an angel she's a girl

Refrain)

How do you solve a problem like Maria, how do you catch cloud and pin it down

How do you find a word that means Maria

A flimity gimmitt a will of a wiss a clown

Many a thing you know you'd like to tell her

Many a thing she ought to understand

But how do you make her stay and listen to all you say

How do you hold a moonbeam in your hand

Mother Abbes : Come here, my child.

여기 앉아라.

Maria : Oh, Reverend Mother, I'm sorry. I just couldn't help myself. The gates were open

and the hills were beckoning and before I...

원장님, 죄송합니다. 어쩔 수가 없었어요. 문은 열려 있었고, 산은 오라고 손짓하고,

그래서 그만 저도 모르게...

*beckon : 손짓하여 주의를 끌다.

Mother Abbess : Maria... I haven't summoned you here for apologies.

마리아야, 용서를 구하라고 너를 여기 부른 것은 아니다.

*summon : 소집하다, 출두시키다

Maria : Oh, please, Mother, do let me ask for forgiveness.

원장님, 그러나 용서를 빌게 해 주셔요.

Mother Abbess : If it will make you feel better.

그래야만 네가 편하다면.

Maria : Yes, Well, you see, the sky was so blue today and everything was so green and

fragrant, I just had to be a past of it, and the Untersberg kept leading  me higher and

higher as though it wanted me to go right though it wanted me to go right through

the clouds...

네... 하늘은 푸르고, 모든 것이 다 청청하고, 향기롭고 해서, 저는 그 속에 빠져들지 않을

수 없었어요. 산은 계속 저를 더 높이 이끌어 마치 제가 구름 속으로 들어가기를 바라거나

하는 것 같았어요.

* Untersberg : 산이름,  fragrant : 향기로운, 유쾌한

Mother Abbess : But, child, suppose darkness had come and you were lost?

그러나 얘야, 만약에 어둠이 닥치고, 네가 길이라도 잃으면 어떻게 할 뻔했니?

Maria : Oh, Mother, I could never be lost up there. That's my mountain. I was brought up

on it. It was the mountain that led me to you.

원장님, 제가 산 위에서 길을 잃는다는 건 있을 수가 없어요. 그건 제 산이거든요.

저는 그위에서 자랐고 저를 원장님께 오게 한것도 그 산이에요.

Mother Abbess : Oh?

Maria : When I was a child I would come down the mountain, and climb a tree and look over

into your garden.

I'd see the sisters work, and I'd hear them sing on their way to vespers.

Which brings me to another transgression, Reverend Mother, I was singing out there today

without permission.

제가 어렸을 때, 저는 산을 내려와, 나무에 올라, 수녀원 뜰을 내려다 보곤 했어요. 수녀님들이

일하는 것을 보고,

또 저녁 기도를 드리려 가면서 노래 부르는 것을 듣기도 했어요. 노래 이야기를 하니, 또 한가지

잘못한 것이 있어요.

오늘 밖에서 저는 허가 없이 노래를 불렀어요.

* vespers : 교회 저녁 기도

Mother Abbess : Maria, it is only here in the Abbey that we have rules about postulants

singing.

수녀원생들이 노래 부르는 것에 관해 규칙을 적용하는 것은 수도원내에 한하는 일이다.

Maria : I can't seem to stop singing wherever I am. And what's worse,

I can't seem to stop saying things. I---Anything and everything I think and feel...

저는 어딜 가든 노래 부르기를 그치진 못하나봐요. 더 나쁜건 저는 말하기를 그치지도 못하나봐요.

제가 생각하고, 느끼는 온갖 것을 다 털어놓아야...

Mother Abbess : Some people would call that "honesty".

어떤이는 그걸 정직이라고 부르잖겠니.

Maria : Oh, but it's terrible, Reverend Mother. You know how Sister Berthe always makes

me kiss the floor after we've had a disagreement?

Well, lately I'be taken to kissing the floor when I see her coming, just to save time.

그렇지만 참 나쁜 버릇이어요, 원장님. 의견이 맞지 않은 일이 있은 다음이면 버디 수녀님께서

어떻게 저를 언제나 마루바닥에 키스하도록 시키시는지 아셔요?

요사이는 오시는걸 보면, 시간을 절약하기 위해, 아예 미리 마루에 키스하게끔 되었어요.

Mother Abbes : Maria... when you saw us over the Abbey wall and longed to be one of us,

that didn't necessarily mean that you were prepared for the way we live here, did it?

마리아야, 네가 수녀원 담너머로 우리를 보고, 우리들의 한 사람이 되기를 원했을 때, 그게 즉 네가

이곳 우리가 사는 대로 살게끔 준비가 되었다는 뜻은 아니잖겠니?

Maria : No, Mother, but I.. I pray and try. And I am learning. I really am.

아니지요, 그러나 저는 기도하고, 노력하겠어요. 그리고 저는 배우고 있어요.

정말 배우고 있어요.

Mother Abbess : And what is the most important lesson you have learned here, my child?

그럼, 네가 여기서 배운 가장 중요한 교훈이 무엇이냐?

Maria : To find out what is the will of God, and... to do it whole heartedly.

하느님의 뜻이 무엇인가를 알아내는 것... 그리고 그것을 성심껏 행하는 것이어요.

Mother Abbess : Maria... It seems to be the will of God that you leave us.

마리아야, 하느님의 뜻은 네가 우리를 떠나라고 하시는 것 같다.

Maria : Leave!  떠나다니요!

Mother Abbess : Only a for while.  잠깐 동안만이다.

Maria : Oh no, Mother! Please don't do that. Don't send me away. This is where I belong,

It's my home, my family. It’s my life.

원장님, 제발 그러지 마세요. 저를 떠나게 하지 마세요. 제가 있을 곳은 여기예요.

여긴 제 집, 제 가족, 제 생명이에요.

Mother Abbess : But are you truly ready?

그러나 너는 진정한 준비가 되어있니?

Maria : Yes, I am.  예, 그래요.

Mother Abbess : Perhaps if you go out into the world for a time, knowing what we expect

of you, you will have a chance to find out if you can expect it of yourself.

아마 네가 잠시 세상에 나가면, 우리가 너에게 기대하는 것이 무엇인가를 알고, 너 스스로에게

네가 그것을 기대할 수 있는가 알아내는 기회를 가질거다.

Maria : I know what you expect, Mother, and I can do it. I promise I can.

원장님이 기대하시는 바가 무엇인지 알아요. 그리고 저는 기대하시는 대로 할 수 있어요.

할 수 있다고 약속하겠어요.

Mother Abbess : Maria.

Maria : Yes, Mother... If it's God's will.

네 원장님, 그게 하느님의 뜻이라면.

Mother Abbess : There is a family near Salzburg that needs a governess until September.

살즈불그 근처의 한 가정에서 9월까지 가정 교사를 필요로 하고 있다.

Maria : Until September!  9월까지요?

Mother Abbess : To take care of seven children.

일곱 어린이들의 시중을 들기 위해 서란다.

Maria : Seven children!  일곱아이씩이나요?

Mother Abbess : You like children, Maria.  넌 아이들을 좋아하잖니?

Maria : Oh, yes but seven...   예, 하지만 일곱은...

Mother Abbess : I will tell Capt. von Trapp to expect you tomorrow.

폰 트레트 대령에게 내일 너를 보내겠다고 말하겠다.

Maria : Uh, Captain?

Mother Abbess : A retired offecer of the Imperial Navy. A fine man and a brave one.

His wife died several years ago leaving him alone with the children,... and I understand

he has had a most difficult time managing to keep a governess there.

제국해군의 예비역 장교란다. 좋은 분이고, 용감한 분이다. 부인이 수년전에 돌아가셔서

홀로 아이들과 남았어...그리고 내가 알기로는 가정교사를 머물어 있게 하느라고

무진애를 쓰고 있단다.

Maria : Why difficult, Reverend, Mother?

왜 애를 써요, 원장님?

Mother Abbess : The Lord will show you His own good time.

때가 되면 하느님이 알려 주실거다.

# SCENE 2

Maria : The Lord closed the door, someway he opens the window.

주님은 한쪽 문을 닫으면 다른 창문을 여신다

Song 'I have confidence'

What will this day be like? I wonder

What will my future be? I wonder

It could be so exciting to be out in the world to be free

My geart should be wildly rejoicing oh what's the matter with me

I've always longed for adventure to do things I'v never dared

Now here I'm facing adventure then why am I so scared

A captain with seven children what's so fearsome about that

Oh I must stop these doubts all these worries if I don't

I just know I'll turn back

I must dream of the things I am seeking

I am seeking the courage I lack

The courage to serve them with reliance face my mistakes without defiance

Show them I'm worthy and while I show them I'll show me so

Let them bring on all their problems, I'll do better than my best

I have confidence they'll put me to the test,

but I'll make them see I have confidence in me

Somehow I will impress them I will be firm but kind

And all those children heaven bless them they will look up to me and mind me

With each step I am more certain everything will turn out fine

I have confidence the world can all be mine

they'll have to agree I have confidence in me

I have confidence in sunchine I have confidence in rain

I have confidence that spring will come again

Besides which you see I have confidence in me

Strength doesn't lie in numbers strength doesn't lie in well

Strength lies in nights of peaceful slumber when you make up wake up it's healthy

All I trust I leave my heart to all I trust becomes my own

I have confidence in confidence alone, oh help I have confidence in confidence alone

Besides which you see I have confidence in me

Maria : Hello, here I am! I am from the convent. I’m new Governess, captain.

* convent : 수녀원

Franz : And I’m the old bulter, Fraulein.

Maria : Well, how do you do?

Franz : Well, uh, wait here please.

Captain : In the future, you’ll kindly remember, there are certain rooms in this house

which are not to be disturbed.

앞으로 이 집에는 방해 받지 말아야 하는 공간이 있다는 것을 기억하시오.

Maria : Yes, captain, sir.

잘 알겠습니다. 대령님.

Captain : Why do you stare me that way?

왜 그렇게 날 쳐다보는 거요?

Maria : You don’t look at all like a sea captain, sir.

해군 대령님같이 안 생기셔서요.

Captain : I’m afraid you don’t look very much like a governess.

Turn around, please.

유감스럽게도 당신도 가정교사처럼 보이진 않는군요. 돌아봐요.

Maria : What?

예?

Captain : You turn. Hat off.

It’s the dress. You have to put on another one before you meet the children.

돌아서요. 모자도 벗고.

이런 드레스도 있군. 아이들을 만나기 전에 옷부터 갈아입으셔야 겠소.

Maria : But I don’t have another one.

When we went to abbey our worldly clothes were given to the poor.

하지만 전 다른 옷이 없는걸요.

세상적인 옷은 수녀원에 들어갈때 가난한 사람한테 다 주었거든요.

Captain : What about this one?

그럼, 이건 뭐요?

Maria : The poor didn’t want this one.

I would have made myself a new dress I can make my own clothes.

가난한 사람들도 이 옷은 싫어 했어요.

전 새로운 옷을 만들 수 있어요. 제 옷은 제가 만들어 입을 수 있어요.

Capatin : I’ll see that you get some marerial. Today, if possible, now Fraulein Maria

I don’t know how much the Mother of abbey has told you .

옷감이 필요하겠군요. 오늘 가능하다면 마리아 선생

원장 수녀님이 얼마나 많이 알려주셨는지는 모르겠지만..

Maria : Not much.

별로요.

Captain : You’re the 12th, in a long line of governesses who’d come to look after my

children Since their mother died. I trust you’ll be an improvement than last one.

She stayed only two hours.

당신은 얘들 엄마가 죽은 후 줄곧 아이들을 돌봐 주던 가정 교사 중에 12번째요.

당신이 바로 전번 가정교사 보다 나은 모습을 보여 주리라 믿소.

그녀는 단 2시간 머물다가 떠났소.

Maria : What’s wrong with the children sir?

아이들한테 무슨 문제가 있나요?

Captain : There’s nothing wrong with the children. Only the governess.

They were completely unable to maintain discipline.

Without it, this house connot be properly run. Will you please remember that, Fraulein?

아이들에겐 아무 문제 없소. 가정 교사가 문제였지.

그들은 완벽하게 훈련하는 법을 몰랐었지.

군대식 훈련 없이 이 가정을 제대로 이끌어 나가기가 어렵소. 명심할 수 있소?

Maria : Yes, sir.

예, 알겠습니다.

Captain : Everymorning you’ll drill the children in their studies.

I wouldn’t let them to dream away their summer holidays.

Each afternoon they’ll march about the grounds, breathing deeply.

Bedtime is to be strictly observed, no exeptions.

My presiding you’re in command.

매일 아침 아이들에게 공부를 가르치시오.

아이들에게 여름 휴가를 준다는 것은 꿈도 꾸지 못하게 할 것이오.

매일 점심시간에는 행진해야 하고 취침시간은 엄수되어야 하오.

예외는 없다는 것 명심하시오.

당신에게 그 명령권을 주도록 하겠소.

* preside : 주인역을 하다, 관리하다

Maria : Excuse me, when do they play?

잠깐만요, 그럼 언제 놀 수 있죠?

Captain : You’ll see to it that they conduct themselves all the time and utmost

orderly and decorous.

아이들은 늘 단정하고 예의바르게 행동해야 함을 당신도 알아야 하오.

* decorous : 품위있는, 예의바른

Maria : Yes, sir!

Captain : Now this is your new governess, Fraulein Maria.

As I sound your signals, you’ll step forward and give your name.

You Faulein will listen carefully. Learn this signals so that you can call them when you

want them.

자, 새로운 가정교사이신 마리아 선생님이시다.

내가 신호를 하면 한발씩 나와 자기 이름을 말한다.

마리아 선생도 잘 들으시오. 얘들을 부르고 싶으면 이걸 꼭 배워야 하오.

아이들이 호루라기 소리에 맞춰 자기의 이름을 말한다.

Captain : Now, let’s see how well you listened.

자 이제 잘 배웠나 확인해 보겠소.

Maria : I won’t need to whistle for them, reverend captain.

I mean I’ll use their names, lovely names. And such lovely names.

존경하는 대령님, 전 이 호르라기가 필요없어요.

그러니까 아이들의 사랑스런 이름을 부르겠어요.

Captain : Fraulein, this is a large house. The grounds are very extensive.

And I’ll not have anyone shouting. Take this please, learn to use it.

The children will help you. Now when I want you, this is what you’ll hear.

선생, 이 집은 너무나 크고, 마당도 무척 넓소.

그러니 어느 누구도 소리치는 것은 보고 싶지 않소. 이걸 받으시오. 어떻게 하나 배워야 하오.

아이들이 도와 줄 거요. 내가 당신을 부를땐 이렇게 하겠소.

Maria : I’m sorry sir. I could never answer to a whistles.

Whistles are for, dogs and cats, and other animals. Not for children and

definitely not for me. It would be too humiliating.

죄송합니다, 대령님. 전 그 신호에 대답할 수 없어요.

호르라기는 개나 고양이 그 밖에 짐승에게나 유용한 거예요. 아이들에게나

특히 저한텐 절대 안되요. 그건 정말 모욕적이예요.

Captain : Fraulein, were you this much trouble at the Abbey?

마리아 선생, 수녀원에서도 이렇게 말썽이 많았소?

Maria : Oh, much more, sir.

오, 그럼은요.

Maria : Excuse me. I don't know your signal.

전 대위님의 신호를 모르는데요.

Captain : You may call me captain.

그냥 대령님이라 부르시오.

Maria : At ease. Well... now that there's just us, would you please tell me all your names

again and how old you are.

열중 쉬엇. 자 이제 우리끼리 남았으니 다시 한번 여러분의 이름과 나이를 말해줘요.

* at ease : 폰트랩대령이 하도 군대식으로 극성을 떨고 나간 뒤라 반농담으로 한말

‘열중 쉬어’ 란 뜻입니다.

Liesl : I'm Liesl. I'm sixteen years old. I don't need a governess.

나는 리즐이예요. 열여섯 살, 나는 가정교사가 필요없어요.

Maria : Well I'm glad you told me, Liesl. We'll just be good friends.

말해줘서 고마워, 리즐, 그저 좋은 친구가 되기로 하자.

Friedrich : I'm Friedrich. I'm fourteen. I'm impossible.

나는 후리드릿히. 열네살, 나는 도저히 손댈 수가 없데요.

* I'm impossible : 난 불가능해요, 원래 impossible이란 단어엔 문법적으로

I, you 등 사람이 주어로 올수 없습니다. 하지만 언어는 많이 쓰이면 맞는것입니다.

Maria : Really? who told you that, Friedrich?

정말? 누가 그런 말을 했지?

Friedrich : Fraulein Josephine. Four governess ago.

조세핀 선생이요. 전에 네 번째로 있었던 가정교사예요.

Louisa : I'm Brigitta.  나는 부릿다예요.

Maria : You, oh, didn't tell me how old you are - Louisa

넌 몇살인지 말안했어. 루이자

Brigitta : I'm brigitta. She's Lousia. She's thirteen years old and you are smart.

I'm ten and I think your dress is the ugliest one I ever saw.

부리짓다는 나에요. 언니는 루이자고. 루이자는 열세살이고 선생님은 똑똑하신데요.

나는 열살이고 선생님 옷은 여태까지 내가 본 것 중에서 제일 형편없는 것 같아요.

Kurt : Brigitta, you shouldn't say that.

부리짓다, 너 그런 말 하면 못써.

Brigitta : Why not? Don't you think it's ugly.

왜 못 써? 오빠도 저 옷이 보기 흉하다고 생각하잖아.

Kurt : Oh course. But Fraulein Helga's was ugliest. I'm Kurt. I'm eleven. I'm incorrigible.

물론이지. 그러나 미쓰 헬리의 것이 제일 흉했어. 나는 쿨트, 열한살이예요.

나는 교정 불능이래요.

Maria : Congratulations.

Kurt : What's incorrigible?

교정불능이란게 뭐에요?

Maria : I think it means you want to be treated like a boy.

내 생각에는 그건 쿨트가 어린이로서 대우 받기를 바란다는 뜻이겠지.

Marta : I'm Marta and I'm going to be seven of Tuesday and I'd like a pink parasol.

나는 말타, 화요일에 일곱 살이 되고 핑크색 양산을 갖고파요.

Maria : Well, pink's my favarite color, too. You're Gretl. And you're five years old?

My, you're practically a lady. Now I have to tell a secret. I've never been a governess

before.

그래, 핑크는 나도 제일 좋아하는 색이야. 넌 그레틀, 다섯 살이랬지? 어머 벌써 숙녀나 다름없는

데! 나는 비밀이 있는데 전에 한번도 가정교사가 되어 본 적이 없다는 거야.

Louisa : You mean you don't know anything about being a governess?

가정교사가 되는 일에 대해 아무것도 모른단 말이예요?

Maria : Nothing... I'll need lots of advice.

아무것도 몰라, 그래 조언이 필요해.

Louisa : Well, the best way to start with is to be sure to tell Father to mind his own

business.

우선 제일 좋은 방법은 아빠에게 간섭하지 말라고 이르는 거예요.

Friedrich : You must never come to dinner on time...

저녁 식사에 절대로 시간 맞춰 오면 안돼요.

Maria : Oh

Brigitta : Never eat your soup quietly.

절대로 수프를 조용히 먹지 말고요.

Kurt : And during dessert, blow your nose.

그리고 후식 시간에 코를 푸세요.

Gretl : Don't you believe a word they say, Fraulein Maria.

언니나 오빠가 하는 말을 하나도 믿지 마세요.

Maria : Oh, why not?  왜 그렇지?

Gretl : Because I like you.  전 선생님을 사랑하니까요.

Housekeeper : All right, childern, outside for your walk. Father’s order.

Hurry up. Quick, quick.

Faulein Maria, I’m Fraud Schmidt, housekeeper. How do you do?

I’ll show you to your room. Follow me.

Maria : Poor little deers. Wow!

가엾은 아이들. 와우!

Houeskeeper : You’re very lucky. With faulein Helga it was a snake.

당신은 그래도 나아요. 저번에는 뱀이었어요.

Maria : Good evening. Good evening children!

Children : Good evening, Fraulein Maria!

Maria : Wa-ooo!

Captain : Enchanting little ritual? Something you learned at the Abbey?

수녀원에서 익힌 매혹적인 의식인가요?

* enchanting : 매혹적인, 황홀하게 하는

* ritual : 종교 의식 같은 일정한 형식

Maria : No, It’s rheumatism.

Excuse me, captain, haven’t we forgotten to thank the Lord?

For what we’re about to receive, the Lord make us trully thankful, amen.

I’d like to thank each and every one for the precious gift you left in my pocket earlier today

아니요, 류마티스 관절염이 좀 있어서...

실례지만 하느님께 감사 기도 안 하시나요?

일용할 양식을 주셔서 감사합니다. 아멘.

오늘 귀한 선물을 호주머니에 넣어줘서 대단히 고마워요.

Captain : What gift?

무슨 선물 말이오?

Maria : It’s meant to be a secret captain, between children and me.

아이들과 저 사이의 비밀이에요.

Captain : Then I suggest you, keep it, and let us eat.

그렇다면 조용히 식사나 합시다.

Maria : Knowing how nervous I must have been, a stranger in a new Schmidt

knowing how important it was for me to feel accepted.

It was so kind and thoughful of you to make my first moment here.

So warm, happy and pleasant.

이 곳이 낯설어서 얼마나 긴장하셨을까 또 따뜻하게 맞이해 주는 게 얼마나 중요한 일일까

알고 그랬으니 말이에요.

정말 친절하고 사려깊은 아이들이에요. 마음이 따뜻해지고, 행복하고 너무 기뻤어요.

Captain : What is the matter, Marta?

무슨 일이니, 마타?

Marta : Nothing.

아무것도 아니에요.

Captain : Fraulein, is it to be at every meal or merely at dinner time that

you’ll intend leading us all through this grand, wonderful new world of indigestion.

마리아 선생, 식사때마다 이렇게 장엄하고 근사한 소화불량을 선사하나요?

Maria : They’re all right, captain. They’re just happy.

모두 괜찮아요, 대령님.  행복해 하잖아요.

# SCENE 3

Franz : Rolf, good evening.

롤프, 잘 지내나?

Rolf : Good evening, Franz. I trust everthing is under control?

안녕하세요? 모든 일은 잘 되시나요?

Franz : Are there any developments?

Rolf : Is the captain at home?

Franz : He’s at dinner.

Rolf : With the family?

Franz : Yes.

Rolf : Please give him this telegram at once.

Franz : Certainly. Telegram for you, sir.

Liesl : Franz, who delivered it?

Franz : That young lad Rolf, of course.

Liesl : Father, may I be excused?

Captain : Children, in the morning, I shall be going to Vienna.

All : Not again, father.

Gretle : How long will you be gone this time, father?

Captain : I’m not sure. Not sure.

Louisa : To visit baroness Schraeder again?

Kurt : Mind your own business.

* mind one's own business : ~의 일에나 신경써라, 상관 말아라.

Captain : As a matter of fact, yes, Louisa.

Gretl : Why can’t we ever get to see the baroness?

Marta : Why would she want to see you?

Captain : It just happened, Marta. You are going to see the baroness.

I’m bringing her back with me to visit us all.

All : Good.

Captain : And uncle Max.

All : Uncle Max!

이 틈을 타 리즐은 롤프를 만나러 몰래 나간다.

Liesl : Rolf!

Rolf : No, Liesl, we mustn't.

아냐, 리즐, 이럼 안돼.

Liesl : Why not, silly?  아이, 바보 같애라, 왜 안돼요?

Rolf : I don't know... It's just that I...

모르겠어... 다만 그저 난...

Liesl : Isn't this why you're here waiting for me.

이러구 싶어서 날 여기서 기다린거 아니예요?

Rolf : Yes. Of course. 음 물론이지.

I've missed you, Liesl. 보고 싶었어. 리즐.

Liesl : You have? How much? 정말요? 얼마나?

Rolf : So much that I even thought of sending you a telegram just so I'd be able

to deliver it here.

아주 보고 싶어서 전보를 칠 생각까지 했었어.

내가 그걸 여기로 배달할 수 있게 말야.

Liesl : Oh, but that's a lovely thought. Why don't you..right now?

어머나, 정말 귀여운 생각이네요. 지금 전보 쳐 볼래요?

Rolf : But I'm here. 그러나, 난 여기 있잖아.

Liesl : Please, Rolf. Send me a telegram. I'll start it for you "Dear Liesl"

제발, 롤프. 제게 전보쳐 주세요. 시작은 내가 해 줄께요. 친애하는 리즐에게‚

Rolf : "Dear Liesl, I'd like to be able to tell you how I feel about you. Stop."

Unfortunately this wire already too expensive, "Sincere Rolf"

보고싶은 리즐. 그대에게 느끼는 감정을 얘기할수 있으면 좋겠습니다. 스탑.

불행히도 이 전문은 벌써 너무 비싸게 됐어. 친구 롤프가‚

Liesl : Sincerely? 친구로써?

Rolf : Cordially. 진정한 친구로써.

Liesl : Cordially? 진정한 친구로써?

Rolf : Affectionately. 사랑하는 사이로써.

* 전보를 끝맺는 말이 그냥 친구인 사이, 좀 더 진실한 사이, 사랑을 느끼는 사이의

차이를 보여주고 있는 재밌는 장면입니다.

Liesl : Mmmm.

Rolf : Will there be any reply?

답장은 없나?

Liesl : dear Rolf. Stop. Don't stop. Your Liesl.'

친애하는 롤프에게. 스톱. 스톱 하지마. 리즐 드림

* 전보에서 문장을 끝맺을 때 스톱한것인데 롤프는 자기에게 그러지 말라고 그러는 줄

알고 손을 떼자 스톱하지 말라고 다시 말한 것입니다.

Liesl : If only we didn't have to wait for somebody to send Father a telegram.

How do I know when I'll see you again.

누군가가 아빠에게 전보를 쳐주지 않으면, 언제 다시 만날 수 있을까요?

Rolf : Well, let's see.. I should come here by mistake with telegram for Colonel

Schneider. He is here from Berlin staying with...

음, 가만있자... 슈나이더 대령에게 오는 전보를 갖고, 실수한 척하고 여기로

올 수도 있을 거야. 대령은 베를린서 여기로와 묵고 있는데...

Rolf : Oh! no one's supposed to know he's here. Don't tell your father now.

아참! 마무도 대령이 여기와 있는 걸 알아서는 안되게 되어 있어. 너의

아버지 한테도 이야기 하면 안돼.

Liesl : Why not? 왜 안돼요?

Rolf : Well your father's so.. so Austrian.

음, 너희 아버진 지나치게 오스트리아적인 사람이란 말이야.

Liesl : We're all Austrian.

우리는 다 오스트리아 사람이잖아요.

Rolf : Well, some people think we ought to be German and they're mad at those

who don't think so. They're getting ready to... Well, let's hope your

father doesn't get into trouble.

음, 그러나 어떤 사름들은 우리가 독일 사람이 되어야 한다고 생각하고 있어. 그리고 그렇게

생각않는 사람들을 달갑지 않게 여기고 있어. 그들은... 준비하고 있단 말이야.

너의 아버지가 곤란한 처지에 빠져들지 않았으면 좋겠어.

Liesl : Don't worry about Father. He's a big naval hero. He was even decorated by

the Emperor.

우리 아빠 걱정은 마세요. 아빠는 해군의 영웅이예요. 황제께서 훈장까지 주셨는데.

Rolf : I know. I don't worry about him. But I do worry about his daughter.

내가 걱정하는 건 그가 아니라 그 따님이란 말이야.

Liesl : Me? Why? 저를요? 왜요?

Rolf : You're so... 넌 너무...

Liesl : What? 예?

Rolf : You're such a baby.

넌 아주 철부지 어린애야.

Liesl : I'm sixteen. What is such a baby about that?

난 열여섯살이예요. 그런데 여째서 철부지 그런 어린애라 하죠?

Song 'Sixteen going on seventeen

You wait little girl on an empty stage for fate to turn the light on

Your life little girl is an empty page that men will want to write on to write on

You are sixteen going on seventeen baby it's time to think

Better beware be canny and careful baby you're on the brink

You are sixteen going on seventeen fellows will fall in line

Eager young lads and boys and cads will offer you fruit and wine

Totally unprepared are you to face a world of men

Timid and shy and scared are you things beyond your head

You need someone older and wiser telling you what to do

I'm seventeen going on eighteen I'll take care of you

I am sixteen going on seventeen I know that I'm naive

Fellows I meet may tell me I'm sweet and willngly I believe

I am sixteen going on seventeen innocent as a rose

Action la dandies drinkers of brandy what do I know of those

Totally unprepared am I to face a world of men

I need someone older and wiser telling me what to do

You are seventeen going on eighteen I'll depend on you

# SCENE 4

Maria : Come in. Fraulein, Schmidtt?

들어오세요. 슈미트 부인?

Schmidt : For your new dresses, fraulein Maria.

The captain had these sent out from town.

대위님이 마을에서 새 옷감을 주문해 주셨어요.

Maria : How lovely. I’m sure these will make the prettiest clothes that I’ve ever had.

Tell me. Do you think the captain would get me some more material if I asked him?

어머, 곱기도 해라. 이 옷감으로 정말 예쁜 옷을 만들 수 있겠어요.

대위님께 부탁하면 천을 좀 더 주시겠죠?

Schmidt : How many dresses a governess need?

몇벌이나 더 필요하신데요?

Maria : Not for me, but for the children.

I want to make the children some playclothes.

제 옷 때문이 아니라 아이들 옷 때문이에요.

애들에게 놀이 옷을 해 입히고 싶어요.

Schmidt : The von Trapp children don’t play. They march.

폰 트랩가의 어린이들은 놀줄 모른답니다. 행진만 하지요.

Maria : Surely, you don’t approve of that?

그렇게 하는 걸 찬성하는 건 아니겠죠?

Schmidt : Ever since the captain lost his poor wife he runs his house

as if he were on one of his ships again.

Whistles, orders, no more music, no more laughing.

Nothing reminds him of her, even the children.

부인이 돌아가신 뒤 대위께선 꼭 배를 운전하듯이 집안을 다스리고 있지요.

호르라기소리, 명령, 더 이상의 음악도 웃음도 없었어요.

부인을 기억하게 하는 건 심지어 아이들조차도 허용되지 않아요.

Maria : It’s so wrong.

그건 잘못된 거예요.

Schmidt : Oh well. How do you like your room?

There will be new drapes at the windows.

오, 방이 마음에 드시나요? 새 커텐을 달아드리려고요.

Maria : New drapes? But theses are fine.

새 커텐을요? 이것도 좋아요.

Schmidt : Nevertheless new ones have been ordered.

어쨌든 새 커텐이 들어올거에요.

Maria : I really don’t need them.

정말로 필요없어요.

Schmidt : Good night, now.

잘자요.

Maia : Frau Schmidt, do you think if I asked the captain tomorrow about the material..

슈미트 부인, 대위님께 내일 옷감을 더 부탁 드리면...

Schmidt : He's leaving for Viena in the morning.

내일 아침 비엔나로 가실텐데요.

Maria : Oh, yes, of course. But how long will he be gone?

그래도 내일 아침에 말씀드려 보겠어요. 얼마동안이나요?

Schmidt : It all depends. The last time he visited the baroness, he stayed for a month.

I shouldn’t be saying this not to you, I mean.. I don’t know you that well but if you ask me,

the captain is thinking very seriously of marrying the woman before the summer is over..

상황에 따라 다르세요. 지난 번 남작 부인을 만나러 가셨을 땐 한달이나 계셨어요.

당신을 모르면서 이런 얘길 하는건 좀 그렇지만 아마 재혼하실 작정이신가 봐요.

Maria : That would be wonderful! Then the childern would have a mother again!

그것 참 좋은 일이네요. 아이들에게 새 엄마가 생기겠어요.

Schmidt : Yes, well, good night.

Maria : Good night.

Dear Father, now I know why you’ve sent me here. To help these children prepare

themselves for a new mother. And I pray that this would become a happy family in my

sight. God bless the captain. God bless Liesl, and Friedrich…..

And I forgot the other boy. What’s his name? Well, God bless what’s his name.

God bless Reverend Mother, sister Margaretta. And everybody at Nonnberg abbey.

And now, dear God, about Liesl. Help her to know that I’m her friend.

And help with her to tell me what she’s been up to.

잘자요.  하느님, 이제야 비로서 제가 왜 이곳에 오게 되었는지 알것 같아요. 아이들의 새 엄마를

잘 맞이 할수 있게 절 보내신 거죠.

Liesl : Are you going to tell, aren’t you?

얘기 하실 거죠, 그렇죠?

Maria : Help me to be understanding so that I may guide her footsteps.

In the name of Father and Son and Holy Ghost, amen.

그녀의 발길을 인도할 수 있는 이해심을 주세요. 하느님과 그 아들, 성령님의 이름으로 아멘.

Liesl : I was out taking a walk. And somebody lock the doors early than the usual.

And I didn’t want to wake everbody up. So when I saw your window open.

You’re not going to tell father, are you?

산책 나갔다 온 거에요. 돌아와 보니 누군가가 문을 평소보다 일찍 잠가버렸구요.

식구들을 깨우고 싶지 않은 마음에 그만. 그런데 선생님 방의 창문이 열려 있더라구요.

아버지께 말씀 하시진 않을 거죠? 그렇죠?

Maria : How in the world did you climb up here?

어떻게 여기까지 올라올수 있었니?

Liesl : I always got into this room to play tricks on the governess.

Louisa can make it with a whole jar of spiders in her hand.

전 항상 가정 교사를 골려줄 마음으로 이 곳에 올라오곤 했어요.

루이자는 거미를 갖고도 올라와요.

Maria : Spiders? Liesl. were you out walking all by yourself?

You know if we wash that dress out tonight nobody would notice it tomorrow.

You could put this on. Take your dress in there. Put it to soak in the bathtub.

Then come back here and sit on the bed. We’ll have a talk.

거미라구? 리즐. 너 정말 혼자 산책 나갔다 온거니?

그 옷 오늘 밤 빨아 놓으면 내일 아무도 눈치 채지 못할거야.

그리고 이걸 입어라. 네 옷은 저기 빨래통에 넣고.

다시 이리 와서 얘기 좀 하자꾸나.

Liesl : I told you today I didn’t need a governess. Well maybe I do.

오늘 가정 교사는 필요없다고 했었죠. 이젠 필요한 것 같아요.

천둥, 번개가 친다.

Maria : Gretl, are you scared? You’re not frightened of a thunderstorm, are you?

You just stay right here with me. Where are the others?

그레틀, 무섭니? 번개와 폭풍에 놀란건 아니겠지?

그래, 나랑 함께 있자. 다른 아이들은 어딨니?

Gretl : They’re asleep. They’re not scared.

모두들 자고 있어요. 안 무섭나봐요.

Maria : Oh, no, look. All right everybody,up here on the bed. Just this once. Come on.

Now all we have to do is wait for the boys.

오, 아니다. 모두들 이리로 올라 오렴. 이번 한 번 만이야. 어서 와.

자, 이제 우리 남자 친구들을 기다려야 할 것 같다.

Brigitta : You won’t see them. Boys are brave.

남자들은 안 올 거예요. 용감하거든요.

Maria : You boys were scrared too, weren’t you?

남자들도 역시 무서웠니?

Frederich : Oh, no. We just wanted to be sure that you weren’t.

아, 아니에요. 선생님이 무서워하고 있는걸 확인해 보려구요.

Maria : That’s very thoughtful of you, Frederich.

아주 생각이 깊구나, 프레드리히.

Frederich : It wasn’t my idea. It was Kurt’s.

제 생각이 아니고요, 쿨트가 그랬어요.

Maria : Kurt, that’s the one I left out! God bless Kurt!

쿨트, 맞아, 내가 까먹었던 이름. 쿨트에게도 축복이..

Gretl : Why does it do that?

하늘이 왜 저러죠?

Maria : Well, the lightening says something to the thunder and the thunder answers back.

번개가 뭐라고 하니까 천둥이 대답해 주는 거야.

Gretl : Lightning must be nasty.

번개가 못되게 굴었나봐요.

Maria : Not really.

그렇진 않아.

Gretl : Then why thunder’s get so angry? It makes me want to cry.

그럼 왜 천둥이 저렇게 화가 났겠어요? 무서워서 울고 싶어요.

Maria : When anything bothers me and I’m feeling unhappy,

I just try to think of nice things.

뭔가가 계속 괴롭히고 기분이 안 좋을때 선생님은 좋은 것들을 생각해 내려 한단다.

Brigitta : What kind of things?

어떤 것들을요?

Maria : Let me see, nice things.. Daffodils! Green meadows. Skies full of stars.

글쎄, 좋은 것들.  수선화, 푸른 초원, 별들로 수놓은 하늘

Song 'My favorite things'

Raindrops on roses and whiskers on kittens

Bright copper kettles and warm woolen mittens

Brown paper packages tied up with strings

These are a few of my favorite things

Cream coloured ponies and crisp apple strudels

Doorbells and sleigh bells and schnitzel with noodles

Wild geese that fly with the moon on their wings

These are a few of my favorite things

Girls in while dresses with blue satin sashes.

Snowflakes that stay on my nose and eyelashes.

Silver white winters that melt into spring

These are a few of my favorite things

When the dog bites, when the bee stings

When I'm feeling sad, I simply remember my favorite things

And then I don't feel so bad

Marta : Does it really work?

Maria : Of course it does. You try it.

What things do you like?

Marta : Pussy willows…..

My favorite things sing again..

Raindrops on roses and whiskers on kittens

Bright copper kettles and warm woolen mittens

Brown paper packages tied up with strings

These are a few of my favorite things

Cream coloured ponies and crisp apple strudels

Doorbells and sleigh bells and schnitzel with noodles

Wild geese that fly with the moon on their wings

These are a few of my favorite things

Together! Girls in while dresses with blue satin sashes.

Snowflakes that stay on my nose and eyelashes.

Silver white winters that melt into spring

These are a few of my favorite things

When the dog bites, Well.. Hello.

Captain : Fraulein, did I not tell you that bed time is to be strictly observed in this house?

마리아 선생, 취침 시간이 엄격히 준수되어야 한다고 말하지 않았던가요?

Maria : The children are upset by the storms, I thought.. You did sir.

아이들이 천둥소릴 무서워 해서 그만.. 말씀하셨어요.

Captain : And do you or do you not have difficulty remembering such simple instructions?

이런 간단한 규칙 조차 제대로 지켜주기가 어렵단 말이오?

Maria : Only during thunderstorms, sir.

천둥이 칠때만요.

Captain : Liesl?

Liesl : Yes, father?

Captain : I don’t recall seeing you anywhere after dinner.

식사 후에 네 모습을 볼 수가 없었다.

Liesl : Really? Well, as a matter of fact, well, I was…

정말이요? 사실은 제가...

Maria : What she would like to say, captain, is that she and I have been getting better

acquainted tonight. But it’s too much late now to go into all that.

Come along children, you heard your father, go back to bed immediately.

리즐이 말씀드리려고 하는 건, 대위님, 저와 함께 오늘 밤 얘기를 나누어서 많이 알게 되었어요.

하지만 다 알기에는 이제 너무 늦었으니 얘들아, 아버지 말씀 들었지? 침대로 빨리 돌아가거라.

Captain : Fraulein, you have managed to remember that I’m leaving in the morning?

Is it also possible that you remember that the first rule in this house is discipline?

Then I trust that before I return, you will have acquired some?

마리아 선생, 내일 아침 아시다시피 잠깐 다녀오게 됐소. 또 아시다시피 이 집안의 첫째

규칙은 훈련에 의한 교육이요. 내가 없는 동안 선생께서 그걸 좀 터득하시리라 믿소.

Maria : Captain, I wonder if.. before you go I could talk to you about the some clothes

for the children. If I could just have some material..

대위님, 아이들을 위한 옷감이 좀 필요한데요. 옷감이 좀 더 있다면...

Captain : Obviously you are many things, not the least of which is repetitious.

앞으로 이런 일이 반복 되질 않길 바라오.

Maria : But they’re children!

하지만 쟤들은 어린 아이들이에요.

Captain : Yes, and I’m their father. Good night.

그렇소, 그리고 난 얘들 아버지요. 그만 주무시오.

Maria : Sing again.

Girls in while dresses with blue satin sashes.

When the dog bites, when the bee stings

When I'm feeling sad, I simply remember my favorite things

And then I don't feel so bad

# SCENE 5

All : Where are we going?

Lousia : Fraulein Maria, can we do this everyday?

매일 이렇게 올 수 있어요?

Maria : Don't you think you'd soon get tired of it, Lousia?

그러면 곧 싫증이 나지 않을까?

Louisa : I suppose so. Every other day?

그렇겠는데요. 하루 걸러씩 오면?

Kurt : I haven't had so much fun since the day we put glue on Fraulein

Josephine's toothbrush.

미스 조세핀의 칫솔에 풀칠을 해 준 후로는 오늘같이 재미있는 날은 없었어.

Maria : How can children as nice as you can manage play such awful tricks?

너희들 같이 착한 어린이들이 어떻게 남에게 그런 흉칙스런 장난을 할 수 있니?

Brigitta : It's easy.  그까짓것 쉬워요.

Maria : But why do it?

그런데 왜 그런 짓을 하지?

Liesl : How else can we get Father's attention?

다른 방법으로는 어떻게 아빠의 주의를 끌수 있겠어요?

Maria : Oh, I see. Well, we'll have to think about that one.

All right, everybody over here.

오, 알겠어요. 그런, 생각해야 할 문제군요... 자아 모두 이리 와요.

Kurt : What're we going to do?

우리 뭐하고 놀아요?

Maria : Let's think of something to sing for the Baroness when she comes.

남작부인이 오시면 부를 노래를 생각해 보기로 해요.

Marta : Father doesn't like us to sing.

아빠는 우리가 노래 부르는 것을 좋아하시지 않아요.

Maria : Well, perhaps we can change his mind. Now what songs do you know?

어쩌면 아빠 마음을 변하게 할 수도 있지 않을까? 자, 어떤 노래를 알고 있니?

Friedrich : We don't know any songs.

우린 아무 노래도 몰라요.

Maria : Not any? 하나도 몰라?

Louisa : We don't even know how to sing.

노래부르는 법 조차도 몰라요.

Maria : Well, let's not lose any time. You must learn.

그럼 지체하지 말고 배워야겠어요.

Gretl : But how? 어떻게요?

Maria : Let's start at the very beginning.

A very good place to start

When you read you begin with A B C

자 그럼 아주 기초적인 것부터 시작해보자.

시작하기에 아주 좋은 장소로구나.

우리가 처음 글을 읽을땐 가나다를 배우듯

Maria : When you sing you begin with do-re-mi

노래를 시작하려면 도레미를 배워야 한단다.

Children : Do-re-mi?

Maria : Do-re-mi, the first three notes just happen to be. Do-re-mi.

All : Do-re-mi.

Maria : Do-re-mi-fa-sol-la-ti

Oh, let's see if I can make it easier

도레미파솔라시.

어디 더 쉽게 배울 방법이 있을까 생각해 보자.

도레미 송

Maria : Do-re-mi-fa-sol-la-ti-do-sol-do!

Now children, do re mi fa so and so are only the tools we use to build a song.

Once you have these notes in your heads you can sing a million

different tuns, by mixing them up like this.

uh, Sol do la fa mi do re

Can you do that?

도레미파솔라시도.

자 얘들아, 도레미는 우리가 노래를 부르기 위해 사용되는 도구들이란다.

한번 머리속에 넣어 놓기만 하면 서로 조합을 이루어 수천 수만가지의 노래를

만들어 부를 수가 있어요.

Children : Sol do la fa mi do re

Maria : Sol do la ti do re do

Maria : Now I'll put it all together.

자 이젠 이어서 불러 보자

Maria &Children : Sol do la fa mi do re

Sol do la ti do re do!

Maria : Good

Brigitta : But it doesn't mean anything.

하지만 아무뜻도 없잖아요.

Maria : So, we put in words one word for very note like this!

When you know the notes to sing, you can sing most anything. Together.

그래서 각각의 도레미대신 다른 단어를 넣는 거야.

All : When you know the notes to sing, you can sing most anything

자전거를 타면서 도레미 송 again

Children : Do re mi fa sol la ti

Maria : Do do

Children : Ti la sol fa mi re

Do mi mi Mi sol sol Re fa fa La ti ti

Maria : When you know the notes to sing

Children : Do mi mi Mi sol sol Re fa fa La ti ti

Maria : You can sing most anything.

분수를 돌면서 다시 도레미 송…

Do(doe), deer a female deer        (doe : 암사슴)

Re(ray), a drop of golden sun       (ray : 광선)

Mi(me), a name I call myself       (me : 자신을 일컫는 말)

Fa(far), long long way to run       (far : 먼 곳)

Sol(sew), a needle pulling thread    (sew : 바느질 하기)

Ra, a note to follow sol            (ra : 솔 다음의 라)

Tea, a drink with jam on bread      (tea : 마시는 차)

That will bring us back to Do, oh, oh, oh

# SCENE 6

폰 트랩 대령이 집에 돌아오지만 아이들은 마리아와 함께 물에 빠진 생쥐꼴로 나타나고

대령은 마리아의 교육방식에 불만을 표시하지만 이를 계기로 마리아는 아이들의 마음을

대변하게 되고 마침내 잃어버렸던 음악을 되찾게 되는데…

Captain : Fraulein, you will stay here, please.

Baroness : I think I’d better go see what Max is up to.

Captain : Now, Fraulein. I want a truthful answer from you.

Maria : Yes, captain.

Captain : Is it possible, or could I have just imagined it have my children, by any chance, been climbing trees today?

Maria : Yes, captain.

Captain : I see. And where, may I ask did they get these..

Maria : Play clothes.

Captain : Is that what you call them? Where did they get those... those ridiculous...

저 꼴이 놀이옷이란 말이오? 대체 저 흉악한 옷들은 어디서...

Maria : I made them from the old drapes that used to hang in my bedroom.

제가 만들어 줬어요. 제 방에 있던 낡은 휘장으로 만들었어요.

Captain : Drapes?

Maria : They still had plenty of wear left.

The children have been everywhere in them.

George : Do you mean to tell me that my children have been roaming about Salzburg

dressed up nothing but some old drapes?

내 아이들이 낡은 휘장을 감고 잘쯔버그시를 싸돌아다녔다 이거요?

* roam : 돌아다니다, 방랑하다.

Maria : And having a marvelous time.

Captain : They have uniforms.

Maria : Straitjackets, if you’ll forgive me.

* straitjackets : 난폭한 죄수들에게 입히는 구속복, 죄수복

Captain : I’ll not forgive you all the things.

Maria : Children can’t do all the things.

As they’re supposed to do it. That they have to worry about spoiling their precious clothes.

Captain : They haven’t complained.

Maria : They wouldn’t dare. They love you too much. They fear you too much.

Captain : Don’t discuss my children in this manner.

내 아이들에 관해선 더 이상 당신 얘기를 듣고 싶지 않소!

Maria : You’ve got to hear from someone. You never home long enough

Captain : I said I don’t want hear any word from you.

Maria : I know you don’t, but you’ve got to!

Now take Liesl. She is not a child any more. One of theses days you’ll wake up and find

she’s a woman.

You won’t even know her. And Friedrich, he is a boy. But he wants to be a man like you,

but no one to show him how.

하지만 누구한테 들어도 들으셔야 해요. 리즐은 벌써 숙녀가 됐는데도 대위님께선 그런

줄 모르시잖아요? 프리드리히는 대위님같은 어른이 되어 보려하지만 아무도 가르쳐

주는 사람이 없고

Captain : Don’t you dare tell me about my son.

Maria : Brigitta could tell you about me to you bloody get close to you. She notices everything.

Kurt pretends he's tough not to show how hurt he is when you brush him aside the way you do

all of them.

커트는 그를 무시할때마다 속이 상해서 아무렇게나 굴고 있는 거예요.

* brush aside : 무시하다, 일축하다.

ex) He brushed aside my objection. 그는 내 반대 의견을 무시했다.

Louisa, I don’t know about. But someone has to find out about her.

And the little one just want to be loved.

Oh, please captain, love them, love them all.

Captain : I don’t care to hear anything further from you about my children.

Maria : I’m not finished yet, captain! Yes, you are captain.

George : Fraulein, now you will pack your things this minute and return to the Abbey

(이때 음악 소리가 들린다.) What’s that?

당장 짐 싸가지고 수녀원으로 돌아 가시오! 이게 무슨 소리지?

Maria : It’s singing.

Captain : I realize that’s singing but who is singing?

Maria : The children.

Captain : The children?

Maria : I taught them something to sing for the Baroness.

The sound of music (All children)

The hills are alive... with the sound of music

With the song they have sung... for a thousand years

The hills fill my heart... with the sound of music

My heart wants to sing... every song it hears

My heart wants to beat... like the wings of the birds...

That rise from the lake to the trees

My geart wants to sigh... like a chime that flies

From a church on a breeze

To laugh like a brook... when it trips...

Over stones on its way

To sing through the night... like a lark who is learning to pray

I go to the hills... when my heart is lonely

I know I will hear... what I've heard before

My heart will be blessed...with the sound of music

And I'll sing once more...

The sound of music

Baroness : Edelweiss. You never told me how enchanting your children are.

* enchanting : 매혹적인, 황홀하게 하는

Captain : Don’t go away. Fraulein. I behaved badly. I apologize.

Maria : I’m far too outspoken. It’s one of my worst faults.

Captain : You were right. I don't know my children.

당신말이 옳았소. 난 애들을 모르고 있었소.

Maria : There’s still time captain. They want so much to be close to you.

아직 늦진 않았어요. 애들은 아버지와 무척 가까이 있고 싶어 하고 있어요.

Captain : You brought music back into the house. I’d forgotten.

Fraulein, I want you to stay. I ask you to stay.

당신은 음악을 다시 이 집안에 불러 들였소. 난 참 오랫동안 잊고 있었구려.

계속 머물러 있어 주시오. 간청이오.

Maria : If I could be of any help.

Captain : You have already more than you know.

Song ‘The Lonely Goatherd  ‘

Maria : High on a hill was a lonely goatherd

Lay ee odl lay ee odl lay hee hoo

Loud was the voice of the lonely goatherd

Lay ee odl lay ee odl-oo

Folks in a town that was quite remote heard

Lay ee odl lay ee odl lay hee hoo

Lusty and clear from the goatherd's throat heard

Lay ee odl lay ee odl-oo

the Children : O ho lay dee odl lee o, o ho lay dee odl ay

O ho lay dee odl lee o, lay dee odl lee o lay

Maria : A prince on the bridge of a castle moat heard

Lay ee odl lay ee odl lay hee hoo

Kurt : Men on a road with a load to tote heard

Lay ee odl lay ee odl-oo

the Children : Men in the midst of a table d'hote heard

Lay ee odl lay ee odl lay hee hoo

Maria : Men drinking beer with the foam afloat heard

Lay ee odl lay ee odl-oo

One little girl in a pale pink coat heard

Lay ee odl lay ee odl lay hee hoo

Brigitta:

She yodeled back to the lonely goatherd

Lay ee odl lay ee odl-oo

Maria : Soon her Mama with a gleaming gloat heard

Lay ee odl lay ee odl lay hee hoo

What a duet for a girl and goatherd

Maria and the Children : Lay ee odl lay ee odl-oo

Ummm (ummm) . . . Odl lay ee (odl lay ee)

Odl lay hee hee (odl lay hee hee) Odl lay ee . . . yodeling . . .

Child : One little girl in a pale pink coat heard

Maria : Lay ee odl lay ee odl lay hoo hoo

Child : She yodeled back to the lonely goatherd

Maria : Lay ee odl lay ee odl-oo

Soon her Mama with a gleaming gloat heard

Lay ee odl lay ee odl lay hmm hmm

What a duet for a girl and goatherd

Lay ee odl lay ee odl-oo

Maria and the Children : Happy are they lay dee olay dee lee o . . .

. . . yodeling . . .Soon the duet will become a trio

Maria : Lay ee odl lay ee odl-oo

Maria and the Children: Odl lay ee, old lay ee

Odl lay hee hee, odl lay ee

Odl lay odl lay, odl lay odl lee, odl lay odl lee

Odl lay odl lay odl lay

the Children: HOO!

All : Bravo! Bravo, very good. Wonderful!

Marta : Can we really keep the puppet show, Uncle Max?

Max : Oh course you may, my darling.

Why else would I’ve told Professor to send the bill to your father.

Captain : Well done, fraulein.

I really am very very much impressed.

Maria : They’re your children, captain.

Baroness : My dear, is there anything you can’t do?

Maria : I’m not sure I’ll make a good nun.

Baroness : If you have problems, I’d be happy to help you.

Max : Attention, attention, everyone. I have announcement to make. Surprise, surprise.

Today after a long and desperate search, I’ve finally found a most exciting entry for the salzburg folk festival.

Captain : Congratulations, Max. Who will you be exploiting tis time?

Baroness : The Saint Ignatius Choir?

Max : Guess again.

Captain : Let me see that. The Kloppman Choir?

Max : No, no, no. A singing group all in one family.

You’ll never guess, George.

Captain : What a charming idea. Whose family?

Max : Yours. What’s so funny?

Captain : You are, Max. You are expensive, but very funny.

Max : But you have heard they’ll be a sensation!

Captain : No, Max.

Max : It’s a wonderful idea. Fresh, original.

Captain : Max, my children do not sing in public.

Max : You can’t blame me for trying.

Maria : Children, who shall we hear from next?

Um, the vote is unanimous. You, captain.

* unanimous : 의견이 일치한, 만장일치의

ex) The committee was unanimous in  their approval of the plan.

위원회는 그 계획을 만장 일치로 승인했다.

Captain : Me? I don’t understand.

Maria : Please. I’m told that long time ago you were quite good.

Captain : That was very very very long time ago.

Liesle : I remember, father.

Maria : Play us something we know.

Song 'Edelweiss'

Edelweiss, Edelweiss

Every morning you greet me

Small and white Clean and bright

You look happy to meet me

Blossom of snow may you bloom and grow

Bloom and grow forever

Edelweiss, Edelweiss

Bless my home land forever

Max : Anytime you say the word, George, you can be part of my new act.

The von Trapp family singers.

Baroness : I have a wonderful idea, George. Let’s really fill this house with music.

You must give a grand and glorious party for me while I’m here.

Captain : Party?

Children : Please, father.

Baroness : It’s high time I met all your friends here in Salzburg and they met me.

Don’t you agree?

Captain : I see what you mean.

Childre : Oh, please, father.

Maria : Children, it’s time to go bed. Come now, and say good night.

Gretl : It’ll be my first party, father.

# SCENE 7

Zeller : Captain.

Captain : Herr Zeller. Baroness Schraeder.

어서 오십시오. 쩰러씨, 슈래더 남작부인입니다.

Baroness : Good evening, Herr Zeller

Zeller : Baroness   남작부인

Elsa : How do you do?

처음 뵙겠습니다.

Captain : Baroness Schraeder.

Elsa : Good evening.

Zeller : I suppose you noticed the obvious display of the Austrian flag in the hallway.

여봐, 저기 낭하에 오스트리아 국기를 일부러 내건 걸 보게.

Brigitta : The women look so beautiful!

여자들이 어쩌면 저렇게들 예쁘지?

Kurt : I think they look ugly.

뭘 그래, 다들 못생겼는데.

Louisa : You just say that because you're scared of them.

넌 저 사람들이 무서워서 그런 말을 하는 거지.

Kurt : Silly. Only grown-up men are scared of women.

못난 소리마. 어른들만이 여자를 무서워하는 거야.

Gretl : I think the men look beautiful.

내 생각에는 남자들이 아름다워.

Louisa : How would you know?

네가 어떻게 아니?

Brigitta : Liesl, who are you dancing with?

리즐언니는 누구하고 춤추지?

Liesl : Nobody.

아무하고도 안춰.

Friedrich : Oh, yes, you are. May I have this dance?

누나, 나하고 출까?

Liesl : I'd be delighted, young man.

이거 아주 기쁜데요. 왕자님.

Maria : Well, why didn't you children tell me you could dance?

왜 나한테 춤출줄 안다고 말하지 않았지?

Kurt : We were afraid you'd make us all dance together (virouettes)

The von Trapp Family Dancers.

우릴 모두 다 같이 춤추게 할까 두려워서 그랬어요. (뱅글 돈다)

폰 트랩 가족 무용단.

Gretl : What's that, they're playing?

연주하는 곡이 무엇이죠?

Maria : It's the Landler. It's an Austrian folk dance.

랜들러야. 오스트리아의 민속 무용곡이지.

Kurt : Show me.

가르쳐 주세요.

Maria : Oh, Kurt, I haven't danced that since I was a little girl.

아이, 쿨트야, 어릴 때 그 춤을 추어보곤 통 안췄어.

Kurt : Oh, you remember. Please.

기억하고 있을거예요.

Maria : All right, come on over here. Now, you bow and I curtsey.

좋아, 자 이쪽으로 와.

이제, 넌 허리를 굽히고 난 무릎을 굽혀서 인사를 나누는 거야.

* bow : 허리를 굽히고 인사하다.

* curtsey :  무릎과 상체를 굽히고 인사하다.

Kurt : Like this ? 이렇게요?

Maria : Fine. Now we go for a little walk... this way. One, two, three....

Step together. Now, step hop... step, hop. Now turn under. Whoop.

Not quite. This way. Hop step, hop and under.

그렇지, 이제 산책을 나가는 거야... 이쪽으로 한, 둘, 셋, 발을 붙이고, 자

이제 밑으로 돌아요. 후, 그렇게 싹돌지 말구. 이쪽으로 외발, 오른발. 밑으로.

* hop : 깡총 뛰다, 뛰어 움직이다.

Kurt : Well... uh...

Maria : Just a minute.

Captain : Kurt.

Maria : We'll have to practice.

연습을 더 해야겠어요.

Captain : Do allow me, will you?

제가 대신 출수 있을까요?

Kurt : Uhhuh.

Maria : I don't remember any more.

더 이상은 모르겠어요.

Brigitta : Your face is all red.

얼굴이 온통 새빨개요.

Maria : Is it? I don't suppose I'm used to dancing.

그래? 춤을 추어보지 안해서 그런가 봐.

Elsa : That was beautifully done. What a lovely couple you make.

멋진 춤이었어요. 두 분이 정말 잘 어울리는군요.

Captain : Oh, yes. I think it's time the, uh, children said good night.

아, 그래요. 애들이 잘 시간이 된 것 같은데.

Maria : Yes. We'll be in the hall in a moment. We've got something very special

prepared. Right?

네. 조금 있다 애들하고 홀로 가겠어요. 손님들에게 특별히 보여 드릴게 있어요.

그렇지?

Children : Yes.

Maria : Come on, children.

Elsa : All that needless worrying, Georg. You thought you wouldn't find a friend at

the party....

전부 쓸데 없는 걱정이었군요. 대령님, 파티에서 친구될 분은 한명도 없을 거라고

걱정하셨지만...    (Georg는 대령의 애칭)

Captain : A bit chilly out tonight, isn't it?

오늘밤 약간 쌀쌀하지 않소?

Elsa : oh, I don't know. It seemed rather warm to me.

전 모르겠는걸요. 오히려 전 날씨가 포근한 것 같애요.

Maria : Ladies and gentlemen. The children of Captain von Trapp wish to say good night to you.

신사 숙녀 여러분, 폰 트랩 대령의 자녀들이 여러분에게 저녁 문안 인사를 드리겠답니다.

Song 'So long Farewell' by Children

There's a sad sort of clinging from the clock in the hall and the bells in the staple too!

And up in the nurery an absurd little bird is popping out to say cookoo, cookoo, cookoo.

Regretfully they cannot speak but firmly they compell us to say goodbye to you

So long farewell auf wieder sehn goodnight, I hate to go and leave this pretty sight

So long farewell auf wieder sehn adieu, adieu adieu to you and you and you

So long farewell au revoir auf wieder sehn, I'd like to stay and taste my first champagne

So long farewell auf wieder sehn goodbye, I leave and heave a sigh and say goodbye goodbye

I'm glad to go I cannot tell a lie, I flit I float I fleely flee I fly

The sun has gone to bed and so must I, so long farewell auf wieder sehn goodbye

goodbye goodbye

Max : They're extraordinary! What they would do at the Festival!

Oh, young lady, I must have words with you.

애들 노래솜씨가 놀라울 정도야! 음악회에 나가면 단연 우승감이야

아, 젊은 아가씨, 나하고 이야기좀 합시다.

Lady Guest : Congratulations, captain.

Man Guset : Oh, your children...

Maria : Excuse me, sir.

Max : Georg, Georg, you're not going to let this girl get away.

She has to join the party.

여보게 게오르그, 이 아가씨 달아나게 해선 안돼. 파티에 꼭 참석시켜야 돼.

Maria : No, really, I...

Max : Sh, sh, sh! Stop, stop it now, Stop. Georg, please?

Captain : You can if you want to, Fraulein.

참석하고 싶으면 참석해도 좋아요, 마리아.

Max : I insist. You will be my dinner partner. This is business!

Franz, set another place next to mine for Fraulein Maria.

꼭 남아있어야 해요. 만찬회에 내 파트너가 되어주어야겠소. 이건 거래입니다.

마리아양을 위해 내 옆에다 자리 하나를 더 만들어 주게.

Woman Guest : They were delightful.

아이들 합창 참 멋있었어요.

Man Guest : Yes, I enjoyed them very much.

정말입니다. 매우 훌륭했습니다.

Franz : Whatever you say, Herr Detweiler.

분부대로 하지요. 데트바일러씨.

Captain : Well, it appears to be all arranged, doesn't it?

준비가 다 된 것 같은데?

Elsa : Hmm, It certainly does.

Maria : I'm not suitably dressed.

전 옷이 어울리지 않는데요.

Captain : Uh, well, you can change. We'll wait for you.

아, 그럼 갈아입고 와요. 기다리고 있을 테니까.

Maria : All right....

Baroness Elberfeld : Captain, you must be very proud of your youngsters.

대령님. 자녀들이 정말 매우 자랑스러우시겠어요.

Captain : I am, thank you, Baroness.

Baron Elberfeld : Is there a more beautiful expression of what is good in this country

of ours than the innocent voices of our children?

우리나라의 좋은 점을 묘사하는데 어린이들의 티없이 맑은 목소리보다 더

아름다운 게 어디 있겠어요?

Zeller : Oh, come now, Baron, would you have us believe that Austria alone

holds a monopoly on virtue?

아니 여보시오, 남작, 당신은 우리들에게 오스트리아만이 미덕을 독점하고 있다고

믿게 하려는 거요?

* Oh, come now! : 저런! 여보게.

* Hold or make a monopoly on : 독점하다.

Captain : Uh, Herr, Zeller, some of us prefer Austrian voices raised in song to ugly German threats.

아, 쩰러씨. 야비하 독일인들의 공갈치는 소리보다는 노래로 울려퍼지는 오스트리아인들의 소리를

더 좋아하는 사람들이 적지 않습니다.

Zeller : The, uh, ostrich buries his head in the sand and sometimes in the flag.

Perhaps those who would warn you that the Anschluss is coming - and

it is coming. Captain-perhaps they would get further with you by sitting

their words to music.

저, 타조는 모래 속에 머리를 쳐박죠. 때론 국기 속에 쳐박기도 하고, 하지만

안슐루스 조약이 비준될 거라고 경고하는 사람들이 조약이 비준될 것은

확실합니다만, 대령 - 그들을 만나보시면 당신의 인식도 상당히 달라질 겁니다.

자기들 말에다 곡을 붙일 테니까 말입니다.

* 타조의 이야기는 타조가 위험을 피한답시고 궁둥이는 빤히 노출시키고 머리만 모래 속에

쳐박는 습성에 빗대어 오스트리아인들의 약점을 비꼰 것입니다.

bury one's head in the sand like an ostrich하면 머리는 감추어도 꽁무니를

감출 줄 모르는 것 같이 얕은 꾀를 쓰다, 눈감고 아웅하다 라는 뜻입니다.

Anschluss는 Nazi 독일이 계획한 오스트리아 합병조약으로 1938년 최종적으로

비준되었습니다.)

Captain : If the Nazis take over Austria, I have no doubt, Herr Zeller, that you

will be the entire trumpet section.

쩰러씨, 나치스가 오스트리아를 합병하면 당신이 그 악대의 총수가 될 것은

틀림없소.

* take over : 이어받다, 인계받다.

Zeller : You flatter me, Captain.

과찬이십니다. 대령.

Captain : Oh, how clumsy of me. I meant to accuse you.

오, 이렇게 서툴기는, 전 대령을 비난한다고 한 말이었는데 말입니다.

* clumsy : 서투른, 재치없는

# SCENE 8

Maria : It's very kind of you to offer to help me, Baroness.

절 도와주시겠다니 정말 고마워요. 남작 부인.

Elsa : I'm delighted, Maria.   도와줄 수 있는 것이 기뻐요.

Maria : But I.. I really don't think I do have anything that would appropriate.

하지만, 전...저에겐 정말 어울릴만한 옷이 없어요.

Elsa : Now where is that lovely little thing you were wearing the other evening when the Captain

couldn't keep his eyes off you?

아니, 엇저녁에 입은 그 아름다운 옷은 어디 있죠? 그때 대령의 시선이 당신한테

떠날 줄을 모르던데요?

* keep one's eye off ~ 어디에서 눈을 떼다. 반대는 keep one's eye on ~ 누구를

감시하다 입니다.

Maria : Couldn't keep his eyes off me?

그분의 시선이 저한테서 떠날줄을 몰랐다니요?

Elsa : Come, my dear, we are women. Let's not pretend we don't know when a man

notices us. Here we are.

이봐요, 마리아, 우린 여자예요. 남자가 우릴 주시하는 걸 모르는 것처럼 시치미 떼지 않기로 해요.

자, 여기 있어요.

Maria : The Captain notices everybody and everything..

대령님은 모든 사람들을, 그리고 모든 것을 주시하잖아요.

Elsa : Well, there's no need to feel so, defensive, Maria. You are quite attractive,

you know. The captain would hardly be a man if he didn't notice you.

그렇게 변명할 필요는 조금도 없어요, 마리아. 마리아는 아주 매력적이니까.

대령이 당신을 주시하지 않았다면 그를 남자라고 하기 어려울 거야.

Maria : Baroness, I hope you're joking.

남작 부인, 농담이시겠죠.

Elsa : Not at all.   천만에요.

Maria : But, I've never done a thing to...

하지만 전 아무것도 한 일이 없어요.

Elsa : But you don't have to, my dear.... There is nothing more irresistible to a man

than a woman who's in love with him.

할 필요가 없어요. 마리아... 자기를 사랑하고 있는 여자만큼 남자의 마음을

끄는 건 없어요.

Maria : In love with him?

자기를 사랑하고 있는?

Elsa : Of course. And what makes it so nice is... he thinks he's in love with you.

물론이지요. 그리고 더욱 멋진 건... 그가 당신을 사랑한다고 생각하는 점이에요.

Maria : But that's not true.

하지만 그건 사실과 달라요.

Elsa : Oh, surely you've noticed the way he looks into your eyes. And you know,

uh, you blushed in his arms when you were dancing. Just now. Don't take

it to heart. He'll get over it soon enough, I should think. Men do, you know.

아, 당신은 대령이 어떤 시선으로 당신의 눈을 들여다 보는가 분명히 눈치챘을 거예요.

그리고 방금 춤출 때 당신은 그의 품안에서 얼굴을 붉혔잖아. 하지만, 그것을 너무 마음에 새겨서

는 안돼요. 얼마 안가서 대령은 그 감정을 잊어버릴 거라고 난 생각해. 남자들은 다 그러잖아요,

마리아도 알다시피.

*take ~ to heart : ~을 마음에 새기다

Maria : Then I should go. I mustn't stay here.

그렇다면 전 떠나야만 되겠어요. 여기 머물러 있어서는 안되겠어요.

Elsa : Is there something I can do to help?

내가 도와줄 수 있는게 뭐 없을까?

Maria : No, nothing... Yes, plesase don't say a word about this to the Captain.

아무 것도 없어요. 아니. 있어요. 대령님한테는 이 일에 대해 아무 얘기도 하지

말아 주세요.

Elsa : No. No, I wouldn't dream of it. Goodbye, Maria...I'm sure you'll make a very fine nun.

안하죠. 끔에라도 아무 소리도 안하지... 잘 가요, 마리아....틀림없이 당신은

훌륭한 수녀가 될 거예요.

Elsa : Champagne, darling, I feel like celebrating. Cheers!

샴페인 드세요, 난 마음껏 축배를 들고 싶어요. 건배!

Max : You know something.   무슨 일이 있는가 보군요.

Elsa : Perhaps.   그럴지도 모르죠.

Max : Then, if you're so clever, tell me how to get our little Fraulein to use her influence with Georg.

I want those children in the Festival. Elsa, this is important to Austria.

그건 그렇고, 당신이 그렇게 총명하다면 좀 가르쳐 주십시오. 어떻게 해야 우리의

마리아로 하여금 게오르그의 마음을 움직이게 할 수 있는 가를 말이오. 난 아이들을 음악제에

꼭 참가시키고 싶어요. 이것은 오스트리아를 위해 중요한 겁니다.

Elsa : It wouldn't do you any harm either.

당신한테도 해롭지 않을 거구요.

Max : I thought of that.  그런 생각도 없는 건 아니죠.

Elsa : Well, if it's a matter of influence, maybe the one you'll have to be talking to is me.

게오르그를 설득시키는 것이 문제라면 당신이 의논해야 할 사람은 어쩌면

날 거예요.

Elsa : Isn’t this fun?

Kurt : Baroness Schreder, do you mind if we stop now?

We’re tired.

Elsa : Whatever you want, dear. We’ll do it again tomorrow.

Max : The country’s so restful, isn’t it? Have some lemonade.

Elas : There must be the easier way.

Max : I got a fiendish delight thinking of you with the mother of seven.

How do you plan to do it?

Elas : Darling, haven’t you ever heard of a delightful little thing called boarding school?

Max : Baroness Marchiavelli.

Brigitta : Uncle Max, where’s father?

Max : I think he is in the house. What’s the matter with you gloomy pusses?

Brigitta : Nothing.

Max : I know what you’ll do. Let’s have a rehearsal.

Kurt : What for?

Max : Let’s make believe we’re standing on the stage for festival.

Louisa : I don’t feel like singing.

Gretl : Not without fraulein Maria.

Max : Liesl, get the guitar. Come on, Marta.

Everybody into the group. You know places in the group.

Get in your place. That’s right. Be cheerful. Give us the key, Liesl.

Now impress me. Friderich, Gretl, why don’t you sing?

Gretl : I can’t. I’ve got a sore finger.

Max : But you sang so beautifully the night of the party.

Come on, all of you sing something.

Try something you know. Enjoy, be cheerful! All right, Liesl.

The sound of music song again

Max : They just wanted to sing for me, bless their hearts.

Captain : That’s lovely, lovely, don’t stop.

Elsa : Something long and cool, Georg?

Captain : No, thank you, darling.

Brigitta : Is it true fraulein Maria isn’t coming back?

Captain : Fraulein Maria, yes, I suppose it’s true. What have we got here?

Brigitta : I don’t believe that, father.

Captain : Don’t believe what, darling?

Brigitta : About fraulein Maria.

Captain : Didn’t I tell you what her note said? Oh, I’m sure I did.

She said she missed her life at the abbey too much.

She had to leave us. That’s all there is to it.

I think I’m brave enough to try some of that.

She didn’t even say goodbye.

Captain : She did in her note.

That isn’t the same thing.

Captain : Not too sweet, not too sour.

Gretl : Father, who is our new governess going to be?

Captain : Well, we are not going to have a governess anymore.

You are going to have a new mother.

Liesl : New mother?

Captain : We talked about it last tonight. It’s all settled.

And we’re all going to be very happy.

Well, all right, all right. Run off and play.

# SCENE 9

Sister : Yes, my children?    왜 그러니, 얘들아?

Liesl : My name is Liesl. We.... my borhters and sisters... we want to see Fraulein Maria.

우린 ... 내 동생들이예요... 우린 마리아 선생님을 보고 싶어요.

Sister : Fraulein Maria? Oh, Maria... come in, please. Wait here.

마리아양이라구? 아... 마리아..... 들어들어와요. 여기서 기다려요.

Margaretta : I'm sister Margaretta. I understand you've been inquiring about Maria.

난 마가레타 수녀야. 마리아를 찾아 온 줄 아는데..

Friedrich : We have to see her. Will you tell her we're here., please?

꼭 만나야 돼요. 우리가 여기와 있다고 좀 전해주시겠어요?

Margaretta : I'm afraid I can't do that...

안 됐지만 그럴 수가 없구나.

Louisa : Oh, but you've got to. We have to speak to her.

오, 꼭 전해주셔야 돼요. 마리아 선생님한테 꼭 드릴 말이 있어요.

Marta : She's our governess...

저희 가정교사셔요.

Gretl : We want her back.

우린 선생님이 돌아오길 바래요.

Kurt : She didn't even say goodbye.

우리에게 작별인사도 않고 떠나셨어요.

Brigitta : It's very importnat.

아주 중요한 일이예요.

Liesl : All we want to do is talk to her.

우리가 바라는 건 선생님을 만나서 이야기를 하려는 것 뿐이예요.

Margaetta : I'm very sorry, children, but Maria is in seclusion.

She hasn't been seeing anyone.

얘들아, 정말 미안해. 하지만 마리아는 은신을 하고 있어요.

아무도 만나지 않고 있는 거야.

Friedrich : She'll see us. I know she will.

우릴 만나 주실 거예요. 전 알아요.

Gretl : I want to show her my finger.

전 제 손가락을 보여 드리고 싶어요.

Margaretta : Oh, some other time, dear... I'll tell her that you were here.

아, 이 다음번에 보여드리도록 해요. 응. 너희들 다녀갔다고 전해 줄께.

Brigitta : Oh, we have to speak to her.

아니예요. 꼭 만나서 이야기를 해야 돼요.

Margaretta : It was sweet of you to call. Run along home now. Go on. Run along, children.

너희들이 찾아온 건 참 착한 일이예요. 이제 집으로들 뛰어가요. 응 어서. 어서 달려들 가요.

Brigitta : Oh, please.   오 제발.

Margaretta : Run along home.   어서 집으로 가요.

Friedrich : I'm sure she'd like to see us.

선생님은 틀림없이 우릴 만나고 싶어하실 거예요.

Margaretta : Goodbye, children.   꼬마들, 잘들가요.

Louisa : May we, please. Please!  제발 만나게 해줘요. 제발!

Mother Abbess : What was that about, sister Margaretta?

밖에 왠 소란이었지, 마가렛타 수녀님?

Margaretta : The von Trapp children, Reverend Mother. They want to see Maria.

폰 트랩가의 애들이 왔었어요. 원장님. 마리아를 보고 싶다구.

Mother Abbess : Has she spoken yet? Has she told you anything?

마리아는 아직도 입을 열지 않고 있나요? 마리아한테서 무슨 이야기 들은 것은 없나요?

Margaretta : She doesn't say a word, Reverened Mother, except in prayer.

전혀 말을 하지 않아요, 원장님. 기도만 드리고 있어요.

Mother Abbess : Poor child.    불쌍한 것.

Margaretta : It’s strange. She... she seems happy to be back here, and yet she’s unhappy, too.

그런데 이상해요. 마리아는... 마리아는 돌아온 것이 행복한 것 같애요. 그런데도..

그런데도 한편 불행한 것처럼 보이기도 해요.

Mother Abbess : Perhaps I have been wrong in leaving her alone so long.

I think you had better bring her to me... even if she is not yet ready.

그 애를 너무 오래 혼자 내버려둔 것이 잘못이었는지도 몰라요. 그 애를 나한테 데리고

오는 것이 좋을 것 같애요.  아직 그 애 마음의 준비가 안되어 있더라도 말이에요.

Margaretta : Yes, Reverend Mother.   그렇게 하죠, 원장님.

Mother Abbess : Sister Augusta, take our new postulant to the robing room.

God bless you, my daughter Ave! Yes... bring her in. You have been unhappy. I am sorry.

아우구스타 수녀님, 이 수녀 지망생을 의장실로 안내해줘요. 주여 이 딸에 축복을 주소서.

들어와요? 예, 들여보내요. 그 동안 불행했구나. 미안하다.

Maria : Reverend Mother.   원장님.

Mother Abbess : Why did they send you back to us?

그 집에서 무슨 이유로 너를 돌려보냈니?

Maria : They didn't send me back, Mother. I left.

그 집에서 절 돌려보낸 게 아니예요. 원장님. 제가 나왔어요.

Mother Abbess : Sit down, Maria. Tell me what happened.

앉으렴, 마리아. 무슨 일이 있었는지 나한테 이야기 해봐요.

Maria : Well, I.... I was frightened.

저... 저 겁이 났었어요.

Mother Abbess : Frightened? Were they unkind to you?

겁이 났다구? 그 집 식구들이 너한테 불친절했다는 거냐?

Maria : Oh, no. No, I was... I was... I was confused. I felt... I felt... I've never felt that way before.

I couldn't stay I knew that here, I'd be away from it. I'd be safe.

아, 아니예요. 아니예요. 전.. 전.. 전 마음이 혼란스러웠어요. 그런 기분은... 그런

기분은... 과거에 한번도 느껴보지 못한 기분이였어요. 그 곳에 머물러 있을수가 없

었어요. 전 여기선 그 기분으로부터 해방될 수 있을 걸로 생각했어요. 여기서

전 안전할 거예요.

Mother Abbess : Maria, our Abbey is not to be used as an escape.

What is it you can't face?

마리아, 우리 수녀원을 은신처로 이용해서는 안돼.

네가 견딜수 없었던 것이 무엇이지?

Maria : I can't face him again.

그 이를 다시는 대면할 수가 없어요.

Mother Abbess : Him? Thank you, Sister Margaretta. Captain von Trapp? Are you in

love with him?

그이? 고마워요. 마가레타. 폰 트랩 대령 말이니? 그 사람을 사랑하는 거니?

Maria : I don't know. I don't know. I... The Baroness said I was. She... she said that

he was in love with me, but I... I didn't want to believe it...

Oh, there were times when we would look at each other... Oh, Mother, I could hardly breathe!

모르겠어요. 모르겠어요. 제가... 남작부인이 그렇다고 말했어요. 그녀는...그녀는

그이가 절 사랑하고 있다고 말했어요. 하지만 전... 전 그걸 믿고 싶지 않았어요.

아, 그이와 서로 마주 바라보던 때가 종종 있었어요. 아, 원장님, 전 숨이 콱콱 막히곤 했어요!

Mother Abbess : Did you let him see how you felt?

네 감정을 그 사람한테 눈치채게 했니?

Maria : If I did, I didn't know it. That's what's been torturing me. I was there on God's errand.

To have asked for his love would have been wrong. Oh, I couldn't stay, I just couldn't!

I am ready at this moment to take my vows. Please help me.

눈치채게 했는지 어쨌는지 모르겠어요. 제 마음을 괴롭히고 있는 것이 그 점이에요.

저는 주의 부르심에 응해서 그 곳에 갔던 거예요. 그이의 사랑을 원했다면 잘못이었을 거예요.

아, 전 머물러 있을수가 없었어요. 도저히 견딜 수가 없었어요!

지금은 수녀의 맹서를 할 마음의 준비가 되어 있어요. 제발 절 도와주세요.

* torture : 고문하다, 괴롭히다

* vows : 맹세, 서약 cf) marrige vows : 결혼 서약

Mother Abbess : Maria, the love of a man and a woman is holy, too. You have a great

capacity to love. What you must find out is how God wants you to spend your love.

마리아, 남녀간의 사랑도 신성한 거야. 넌 사랑에 큰 능력을 지니고 있어. 네가 알아내야 할 것은

주님이 네 사랑을 어떻게 사용하기를 원하시는가 하는 점이란다.

Maria : But I've pledged my life td. I... I've pledged my life to His service.

하지만 전 주님에게 일생을 바치기로 서약했어요. 전... 전 일생동안 주님의 뜻을

받들기로 서약했어요.

Mother Abbess : My daughter, if you love this man it doesn't mean you love God less. No. You must find out. You must go back.

마리아, 네가 그 사람을 사랑한다고 해서 그것이 주님을 덜 사랑한다는 뜻은

아니란다. 네 마음을 분명히 알아야 돼요. 넌 돌아가야 돼.

Maria : Oh, Mother, you can't ask me to do that! Please let me stay. I beg of you!

원장 수녀님, 어떻게 저한테 그런 말씀을 하십니까? 제발 여기 있게 해 주세요. 애원이예요!

Mother Abbess : Maria, these walls were not built to shut out problems. You have to

face them. You have to live the life you were born to live.

마리아, 이 벽들은 해결하기 어려운 문제들을 기피하기 위해 건축된 것이 아니야.

넌 네 자신의 문제들에 용감히 대결해야 돼. 넌 네 자신의 생활을 영위하지 않으면

안 되는 거야.

Song  Climb every mountain

Climb ev'ry mountain

Search high and low

Follow ev'ry by-way

Every path you know

Climb ev'ry mountain

Ford ev'ry stream

Follow ev'ry rainbow

'Till you find your dream

A dream that will need

All the love you can give

Everyday of your life

For as long as you live

Climb ev'ry mountain

Ford ev'ry stream

Follow ev'ry rainbow

'Till you find your dream

A dream that will need

All the love you can give

Everyday of your life

For as long as you live

Climb ev'ry mountain

Ford ev'ry stream

Follow ev'ry rainbow

'Till you find your dream

(중략)

George

You left without saying goodbye even to the children.

Maria

It was wrong with of me. Forgive me.

George

Why did you?

Maria

Please don’t ask me. Anyway, the reason no longer exists.

Baroness

Fraulein Maria, you’ve returned. Isn’t it wonderful, Georg?

Maria

I wish you every happiness, baroness. You too captain.

The children tell me you’re to be married.

Baroness

Thank you, my dear.

George

You are back to stay?

Maria

Only until arrangements can be made for another governess.

Baroness

I really must speak to cook about the Weiner Schnitzel.

It is entirely too delicious for my figure.

It makes you much too quiet at the dinner table. Or it was the wine?

George

Oh, undoubtedly the wine.

Baroness

You have no idea what kind of trouble I’m having trying to decide what to give you

for a wedding present. Oh, I know, I’m enough.

But I do want you to have some little try for the occasion.

At first I thought of a fountain pen. But you’ve already got one.

And then I thought perhaps a villa in Southern France.

But they are so difficult to gift-wrap. George, how do you feel about yachts?

A long, sleek one for the Mediterranean or a tiny one for your bathtub.

George

Elsa

Baroness

Where to go on our honeymoon? That’s a real problem.

I thought a trip around the world would be lovely.

Then I said there must be someplace better to go. Don’t worry.

George

Elsa

Baroness

Yes, George.

George

It’s no use, you and I. I’ve been dishonest to both of us.

And utterly unfair to you. When two people talk of marriage..

Baroness

Don’t say another word . George, please.

You see, uh, there are other things I’ve been thinking of fond as I am of you.

I really don’t think that you are the man for me.

You’re, you’re much too independent. And I need someone who needs me desperately.

Or at least need my money desperately. I’ve enjoyed every moment we’ve had together.

I do thank you for that. Now, if you forgive me, I’ll go inside, pack my little bags

And return to Vienna, where I belong. And somewhere out there is a young lady.

Who I think will never be a nun. Auf wiedersehen, darling.

George

Hello, I thought I just might find you here.

Maria

Was there something you wanted?

George

No, no,no,no, sit down, please. May I?

You know, I was thinking and I was wondering two things.

Why did you run away to the Abbey?

And what was it that made you come back?

아니에요, 앉으시오. 나도 앉아도 되겠죠?

난 두가지를 생각해왔고 궁금해 했소.

그 땐 왜 수녀원으로 달아났죠? 그리고 다시 돌아온 까닭은?

Maria : I had an obligation to fulfill. I came back to fulfill it. And... and I missed the children.

다해야 할 의무가 있었어요. 그 의무 때문에 돌아온 거죠. 그리고.. 애들이 보고

싶었어요.

Georg : Only the children?

아이들만이오?

Maria

No, yes, Isn’t it right I should have miss them?

George

Yes, yes, of course. I was only hoping that perhaps you..

난.. 난 바라고 있었는데...

Maria : Yes?   무슨 말씀이시죠?

Georg : Nothing was the same while you were away and it'll be all wrong again after you leave.

And I just thought perhaps you might change your mind.

당신이 가고 없을 때 집안 꼴이 말이 아니었소. 이번에 또 떠난다면 마찬가지가

될거요. 난 당신이 결심을 바꾸기만 바라고 있었소.

Maria : I’m sure the Baroness will be able to make things fine for you, Captain.

백작부인께서 매사를 행복하게 해드릴 수 있을 거예요.

Georg : There isn't going to be any Baroness, Maria. We called off our engagement

tonight.

이젠 백작부인도 없소. 오늘 저녁 우린 파혼했소.

Maria

I’m sorry. You did?

George

Yes. You can't marry someone when you're in love with someone else. Can you?

다른 사람을 사랑하면서 결혼 할 수가 있겠소?

Maria : The Reverend Mother always says the Lord closed the door,

someway he opens the window.

원장 수녀님께서는 주님은 한쪽 문을 닫으면 다른 창문을 여신다고 늘 말씀하셨어요.

George

What else does the Reverend Mother say?

Maria

You have to look for your life.

우리들의 삶을 찾아보아야 한다고 말씀하셨어요.

Georg : Is that why you came back? And have you found yours Maria?

그게 돌아온 이유요? 그래 당신은 그 삶을 발견했소?

Maria : I think I have. I know I have.

Oh, can this be happening to me?

발견했다고 생각해요. 아니 그렇게 알고 있어요.

오, 이런 일이 제게 일어날 수 있을까요?

Something Good

Maria:

Perhaps I had a wicked childhood

Perhaps I had a miserable youth

But somwhere in my wicked, miserable past

There must have been a moment of truth

For here you are, standing there, loving me

Whether or not you should

So somewhere in my youth or childhood

I must have done something good

Nothing comes from nothing

Nothing ever could

So somewhere in my youth or childhood

I must have done something good

George

Do you know when I first started loving you?

That night at the dinner table when you sat on a ridiculous pine cone.

Maria

I knew the first time you blew that silly whistle.

George

Oh, my love.

Captain:

For here you are, standing there, loving me

Whether or not you should

Maria:

So somewhere in my youth or childhood

I must have done something good

Maria and the Captain:

Nothing comes from nothing

Nothing ever could

Maria:

So somewhere in my youth

Captain:

Or childhood

Maria:

I must have done something . . .

Maria and the Captain:

Something good

Georg : Maria, is there anyone I should ask for permission to marry you?

마리아, 당신과의 결혼을 허락 받아야 할 사람이라도 있소?

Maria : Why don't we both ask..

우선 물어보는게 어떻겠어요?

George

The children?

애들한테?

# SCENE 10

Song ‘Maria’

(중략)

All children

Father! When did you get back?

Did you bring us anything from Paris?

How are you? Why didn’t you telephone us?

Max

I have nothing to do with that, Georg.

Captain

We came back as fast as we could.

We missed you.

Maria

We missed kissing you good night.

Captain

We missed all the noise you make every morning telling each other be quiet.

Mostly, we missed hearing you sing.

Oh, you came back just in time.

Marta

Look, fraulein Maria. I mean mother.

We are going to sing in the festival tonight.

Maria

What?

All

Yes, we’ve been rehearsing.

Max

Surprise, surprise!

Captain

All right, surprises for you on the terrace.

All

Presents!

Captain

We’ll talk about this inside.

Max

George, I would’ve told you but you were away.

Captain

I had to make a last-minute decision.

I was fortunate to enter them at all. Max.

They’ll be the talk of the festival.

Max

Imagine, seven children in the one family..

Captain

Max, somehow I recall having made it quite clear how I feel about my

Family singing in the public.

Max

But the committee heard. They were enchanted.

Maria

Max, What did they say?

I’ve never heard such enthusiasm.

Oh, darling, don’t you think just this once?

Captain

Absolutely out of the question.

Max

Georg, this is for Austria.

Captain

For Austria? There’s no Austria!

Max

But the anschluss happened peacefully.

Let’s be greatful for that.

Captain

Gretl? You know Max. Sometimes I don’t believe I know you.

Liesl

Father, I forgot. This is for you.

Max

Maria, he’s got to at least pretend to work with this people.

You must convince him.

Maria

Max, I can’t ask him to be less than he is.

Max

Then, I’ll talk to him.

If the children don’t sing at the festival it will be a reflection on Austria.

I know, it couldn’t do me any good, either.

Liesl

Mother, that sounds so nice. I like calling you mother.

Maria

I like hearing it.

Liesl

You love father very much. I can tell you do.

Maria

Very much.

Liesl

Mother, what do you do when you think you love someone?

I mean, when you stop loving someone. Or when he stops loving you?

Maria

Well, you cry a little, then you wait for the sun to come out.

It always does.

Liesl

There’s so many things I think I should know.

But I don’t. I really don’t.

Maria

Okay, how can you?

Liesl

Sometimes I feel the world’s coming to an end.

Maria

And when you feel it’s just the beginning.

It was that way with me, Liesl.

And for you it will be just wonderful, I promise.

Liesl

Do you really think so?

Maria

When you’re 16 going on 17. Waiting for life to start.

Somebody kind who touches your mind will suddenly touch your heart.

Liesl

When that happens after it happens nothing is quite the same.

Somehow I know I’ll jump up and go if ever he calls my name.

Maria

Gone are you old ideas of life. The old ideas grow dim.

Lo and behold you’re someone’s wife. And you belong to him.

You may think this kind of adventure. Never may come to you.

Darling 16 going on 17. Wait a year or two.

Liesl

I’ll wait a year.

Maria

Just wait a year or two.

Captain

Liesl

Maria

What is it?

Liesl

Berlin. They’ve offered me a commission in their navy.

I’ve been requested to accept immediately to report to their naval base

At Bremerhaven tomorrow.

Maria

I knew something like this would happen.

I didn’t think it would be so soon.

Captain

To refuse them would be fatal for all of us.

Liesl

And joining them, unthinkable.

Captain

Get the children, all together.

Don’t say anything that will make them worry. I just get them ready.

We’ve got to get out of Austria. And this house, tonight.

Max

Not that it strains my back, it breaks my heart when I think there’s a singing group that

Will not appear at the festival tonight.

Captain

By the time when you make the announce we’ll be over the border.

Max

I hope you’d appreciate the sacrifice I am making.

You have no choice. I know, that’s why I’m making it.

Marta

Why doesn’t father turn the motor on?

Maria

Because he doesn’t want anyone to hear us!

Marta

What will frau Schmidt and Franz say when they discover we’re gone?

Maria

They’ll be able to answer truthfully.

They didn’t know anything about it if anyone asked them.

Liesl

Will we be coming back here?

Maria

Someday, Liesl. I do hope, someday.

Marta

Are father and uncle Max going to push the car all the way to Switzerland?

Zeller

Something wrong with your car, captain?

Captain

Yes, as a matter of fact we couldn’t get it started.

Zeller

Fix captain Von Trapp’s car so that it will start.

Exellent, cob. I’ve not asked where you and your family are going.

Nor have you asked me why I’m here.

Captain

Well, apparently, we’re both suffering from a lack of curiosity.

Zeller

You were sent a telegram which you didn’t answer.

A telegram from admirable Von Schreider, the navy of the third Reich.

Captain

I was under the impression, Herr Zeller.

That the contents of telegrams in Austria are private.

At least the Austria I know.

Zeller

I have my orders. And they’re to take you personally to Bremerhaven tonight.

When you’ll accept the commands.

Captain

I’m afraid that’s going to be quite impossble.

You see, we are.., all of us, the entire family will be… singing in the festival tonight.

As a matter of fact, that’s where we’re going now.

Couldn’t possibly let them down now.

Maria

I just hope we’re not too late.

Zeller

And you asked me to believe this, that you, captain Von Trapp, is singing in a concert?

Max

Believe me, it’ll be a performance beyond anything even I’ve dreamt of.

Captain

Like you, Herr zeller. I, too, am a man of hidden talents.

Max

Here, programm.

Zeller

It says here only the name of children.

Captain

It says the Von trapp family singers.

And I’m the head of the Von Trapp family. Am I wrong?

Zeller

And these travel clothes that you’re all wearing?

Maria

Our costumes naturally. Herr, Zeller, this night air isn’t good for the children’s voices.

Zeller

Well, a slight delay in my orders will not be serious.

Therefore, you will sing. You will all sing. But only because that’s how I want it to be.

It will demonstrate that nothing in Austria has changed.

And when you are finished singing, you, captain Von Trapp will be taken to Bremerhaven.

Now if you will all get into your car, we’ll escort the Von Trapp family singers to the festival.

Captain

No escort will be necessary, Herr Zeller.

Zeller

Necessary? A pleasure, captain.

After all we would not want you to get lost in the crowds. Would we?

Captain

No.

(공연장에서의 멋진 합창)

Captain

My fellow Austrians.. I shall not be seeing you again, perhaps for a very long time.

I would like to sing for you now. A love song. I know you share this love.

I pray that you will never let it die.

(에델바이스 합창)

Max

I think it will work. I shall miss you, all of you.

And I shall miss the money I could have made.

Thank you, ladies and gentalemen, thank you.

The festival competition has come to it’s conclusion.

Exept both we don’t know yet what that conclusion will be.

While the judges are arriving at their decision I’ve been given permission to offer you

An encore. This will be last opportunity the Von Trapps will have of singing together

For a long long time. Even now officials are waiting in the auditorium to escort captian

Von Trapp to his new command in the naval forces of the Third Reich.

And so ladies and gentlemen, the family Von Trapp again to bid you farewell.

(작별송 그리고 시상식)

Margaletta

Come with me, quickly quickly. I have a place you can hide.

Slowly, slowly.

Zeller

Open this gate.

Sister

Good evening.

Zeller

Hurry up, woman.

Maria

Oh, Reverend mother, we didn’t realize we’d put the abbey in danger.

Reverend Mother

No, maria. It was right for you to come here.

Captain

We thought we could borrow your cathedral car.

Reverend mother

I’m afraid our car would do you no good now.

I’ve been listening to the wireless. The borders have just been closed.

Captain

All right, the borders are closed.

They’ll drive us up to the hills and go over those mountains on foot.

Maria

And the children?

Captain

We’ll help them, they’ll be all right.

Kurt

We can do it without your help, father.

Reverend mother

Maria, you’ll not be alone. Remember, I will lift up my eyes unto the hills

From whence come with my help.

Maria

Yes, Mother.

Gretl

I’m scared.

Reverend Mother

God be with you.

Gretl

Mother.

Captain

Yes

Gretl

Would it help if we sang about our favorite things?

Maria

No, darling. This is one time it would not help.

You must be very quiet. Hold tight to me.

Liesl

Rolfe, please!

Captain

Rolfe, wait! Maria, children..

Rolfe

It’s you we want, not them.

Captain

Put that down.

Rolfe

Not another move! Or I’ll shoot.

Captain

You’re only a boy. You don’t really belong to them.

Rolfe

Stay where you are.

Captain

Come away with us. Before it’s too late.

Rolfe

Not another step. I’ll kill you!

Captain

You give that to me, Rolfe.

Rolfe

Did you hear me? I’ll kill you.

Captain

Rolfe, you’ll never be one of them.

Rolfe

Lieutenant! They’re here! They’re here! Lieutenant!

Sister 1

Reverend Mother, I have sinned.

Sister 2

I, too, Reverend Mother.

Reverend Mother

What is this sin. My children?

A dream that will need

All the love you can give

Everyday of your life

For as long as you live

Climb ev'ry mountain

Ford ev'ry stream

Follow ev'ry rainbow

'Till you find your dream